• 2010-07-10

    The key to a successful tour, radio, or blog run starts with an attractive, to-the-point press kit.  Major labels can still run very productive snail-mail campaigns (for example, most of the new music played at KVDU was received via mail).  However, for smaller and mid-sized acts, such an endeavor is too costly and rarely yields results.  Increasingly, the name of the game is blogs which, more often than not, only accept submissions via e-mail.  In an inbox full of thousands of other submissions, it’s important to follow etiquette, stay brief, and stand out.

I built a “Blog Blaster” for Denver band Achille Lauro, who will be touring in August in support of their record “Indiscretions.”  The blaster features a set of customizable fields laid out in a multi-column HTML e-mail.  Links to album and single downloads are prominently featured, and hits are tracked via a unique code tied to each e-mail.

Coding for inboxes rather than browsers is an interesting challenge because, with some exceptions, their rendering engines are extremely outdated; thus, to ensure the widest compatibility, layouts have to be rendered in tables, CSS support is extremely limited and inconsistent, and all declarations are best made via style attributes in the tags themselves rather than including a separate stylesheet.

    The key to a successful tour, radio, or blog run starts with an attractive, to-the-point press kit. Major labels can still run very productive snail-mail campaigns (for example, most of the new music played at KVDU was received via mail). However, for smaller and mid-sized acts, such an endeavor is too costly and rarely yields results. Increasingly, the name of the game is blogs which, more often than not, only accept submissions via e-mail. In an inbox full of thousands of other submissions, it’s important to follow etiquette, stay brief, and stand out.

    I built a “Blog Blaster” for Denver band Achille Lauro, who will be touring in August in support of their record “Indiscretions.” The blaster features a set of customizable fields laid out in a multi-column HTML e-mail. Links to album and single downloads are prominently featured, and hits are tracked via a unique code tied to each e-mail.

    Coding for inboxes rather than browsers is an interesting challenge because, with some exceptions, their rendering engines are extremely outdated; thus, to ensure the widest compatibility, layouts have to be rendered in tables, CSS support is extremely limited and inconsistent, and all declarations are best made via style attributes in the tags themselves rather than including a separate stylesheet.

  • 2010-05-07

    For three years, I worked as the web developer for KVDU (the University of Denver’s College Radio Station).  During my time, I also co-hosted and engineered a local music show which featured live performances by Denver bands.  I recorded, mixed, and compiled all of these performances onto a compilation called KVDU Live.  (I also did the artwork and layout.)  It features thirteen tracks and is available for free from the radio station.

1. Everything Absent or Distorted – Don’t Be Peaches
2. Blue Million Miles – Explosions
3. Paper Bird – Pennies
4. Widowers – Stalwart Ships
5. The Knew – Neckbreaker
6. Kissing Party – Quiet Town
7. Jen Korte & the Loss – Streetlights and Bar Fights
8. Brothers O’Hair – Tonight
9. Hearts of Palm – Tunnel of Love
10. Dualistics – Unique (Like Everyone Else)
11. Pee-Pee – Song for June Carter from Johnny Cash
12. Old Radio – Asleep at the Wheel
13. Vitamins – Dark Matter

    For three years, I worked as the web developer for KVDU (the University of Denver’s College Radio Station). During my time, I also co-hosted and engineered a local music show which featured live performances by Denver bands. I recorded, mixed, and compiled all of these performances onto a compilation called KVDU Live. (I also did the artwork and layout.) It features thirteen tracks and is available for free from the radio station.

    1. Everything Absent or Distorted – Don’t Be Peaches
    2. Blue Million Miles – Explosions
    3. Paper Bird – Pennies
    4. Widowers – Stalwart Ships
    5. The Knew – Neckbreaker
    6. Kissing Party – Quiet Town
    7. Jen Korte & the Loss – Streetlights and Bar Fights
    8. Brothers O’Hair – Tonight
    9. Hearts of Palm – Tunnel of Love
    10. Dualistics – Unique (Like Everyone Else)
    11. Pee-Pee – Song for June Carter from Johnny Cash
    12. Old Radio – Asleep at the Wheel
    13. Vitamins – Dark Matter

  • 2010-03-31

    Austin band Quiet Company will be releasing a six song EP entitled “Songs for Staying In” on May 11th.  They asked me to set up a website to help promote the release and offer pre-orders.

They wanted to set up a system where each week, fans could stream a new song from the EP, and view a new promotional video pertaining to the song.  The pre-orders run through a system which I’d built for them previously.  The first week is up now, and can be viewed here.

A full website redesign is also in the works, slated to be completed by the EP’s release.

    Austin band Quiet Company will be releasing a six song EP entitled “Songs for Staying In” on May 11th. They asked me to set up a website to help promote the release and offer pre-orders.

    They wanted to set up a system where each week, fans could stream a new song from the EP, and view a new promotional video pertaining to the song. The pre-orders run through a system which I’d built for them previously. The first week is up now, and can be viewed here.

    A full website redesign is also in the works, slated to be completed by the EP’s release.

  • 2010-03-23

    This past week, I went to Austin for SXSW with Houses. We played three shows in a 24-hour period, and I took in quite a few more. I also finally met and saw perform Quiet Company, for whom I’ve been doing occasional web work, which was great.

    The SXSW process seems a little hollow to me. There are “well-established” bands playing well-attended showcases, and then then there are “nobody” bands playing whatever they can find. There’s no “middle-class.” It seems to be more of a business-oriented event where label and band representatives have meetings all week without having to travel all over the country, with a music festival built around it. Bands don’t go there to be discovered; discovered bands go there to be showcased.

    Though that’s a cynical view of the festival, I’m not saying I didn’t have a good time. We played well, we were well received, and I saw some great performances from bands I would have never had a chance to see otherwise.

    Here are a select few photos summarizing the trip.

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